In the 60’s, having as the background the rehearsal and recording of “Sympathy for the Devil” in the classic album “Beggar’s Banquet” by the revolutionary bad boy Rolling Stones – Mick Jagger, Keith Richards, Charlie Watts, Bill Wyman and Brian Jones – plus Marianne Faithful, Godard discloses other contemporary revolutionary and ideological movements – the Black Power through the Black Panthers, the feminism, the communism, the fascism – entwined with the reading of a cheap pulp political novel divided in the chapters: “The Stones Rolling; “Outside Black Novel”; “Sight and Sound”; “All About Eve”; “The Heart of Occident”; “Inside Black Syntax”; and, “Under the Stones the Beach”.

A former member of the Ku Klux Klan, General Lee Roy, now owns and runs a fast food chain ‘American Chicken Bunker’. His new store is located on a site that was the burial ground of Native Americans. He has leased this franchise to an African-American, Denny, and has hired a Jew-hating/chicken-loving employee, Carl Jr.; a Burkha-clad Muslim woman, Humus; a Mexican, Jose Paco Bell; a male named Arbie, who is now called ‘Daisy’ amongst others. He attends the official opening of the store amidst protests from the local community of atrocities carried out on chickens, and the Indian burial grounds’ desecration. Watch what happens when Lee Roy decides to pacify the protesters with free chicken meat.

Intertwining couples and singles in Los Angeles break-up and make-up based on the pressures and expectations of Valentine’s Day.

After a mysterious death of a young college student occurs late one night at a prestigious New England college, Danielle “Daisy” Brooks nevertheless decides to escape her small town life and transfer herself to this prominent school. This naive country girl is determined to start a new life leaving behind a two year relationship and the ghosts of her parents who died nearly three years ago. Daisy knows that she must break away from her past in order move on and find out what she’s ultimately made of.

Smash Cut is a satire of the filmmaking industry and the challenges of independent filmmaking, with a story that draws on the filmmakers’ real-life experiences. It follows the murderous exploits of Able Whitman, a horror-film director whose films are panned by critics and audiences alike – until he starts killing people and using their body parts as props in his new flick.

In the mid-70s, surfers from Venice-Santa Monica who hung out at the Zephyr Surf Shop would skateboard when the surf was quiet. Over the course of a few heady years, riding on polyurethane wheels and copying the surfing moves of Larry Bertleman, the Z-Boys invent and polish their style on a hilly street near the shop, on the asphalt slopes ringing school playgrounds, and then in swimming pools empty during California’s drought. The Z-Boys astound upright skateboarders at the 1975 championship in Del Mar. Within a year, the team splinters as some players join better financed pro teams. The film ends with profiles of the stars, Jay Adams, Stacy Peralta, and Tony Alva.

Bruce Willis and Tracy Morgan team up for the Warner Bros. police buddy movie Cop Out in this Kevin Smith-directed production. From a script by Robb and Mark Cullen, the picture focuses on a detective duo who investigate the disappearance of a baseball card.

Wealthy J.W. Grant hires Henry Fardan, Jake Sharp, Hans Ehrengard, and Bill Dolworth, each a specialist in his own field, to go into Mexico to bring back his wife, who has been kidnapped by the revolutionary Raza. Fardan and Dolworth, old comrades of Raza’s, know both the territory and their foe, but a surprise awaits when they locate the captive Mrs. Grant.

1949, Santa Rosa, California. A laconic, chain-smoking barber with fallen arches tells a story of a man trying to escape a humdrum life. It’s a tale of suspected adultery, blackmail, foul play, death, Sacramento city slickers, racial slurs, invented war heroics, shaved legs, a gamine piano player, aliens, and Heisenberg’s uncertainty principle. Ed Crane cuts hair in his in-law’s shop; his wife drinks and may be having an affair with her boss, Big Dave, who has $10,000 to invest in a second department store. Ed gets wind of a chance to make money in dry cleaning. Blackmail and investment are his opportunity to be more than a man no one notices. Settle in the chair and listen.

Summer 1900: Queen Victoria’s last and the summer Leo turns 13. He’s the guest of Marcus, a wealthy classmate, at a grand home in rural Norfolk. Leo is befriended by Marian, Marcus’s twenty-something sister, a beauty about to be engaged to Hugh, a viscount and good fellow. Marian buys Leo a forest-green suit, takes him on walks, and asks him to carry messages to and from their neighbor, Ted Burgess, a bit of a rake. Leo is soon dissembling, realizes he’s betraying Hugh, but continues as the go-between nonetheless, asking adults naive questions about the attractions of men and women. Can an affair between neighbors stay secret for long? And how does innocence end?